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Home News How NPR’s Tiny Desk Concerts became a pop culture phenomenon | AP News

How NPR’s Tiny Desk Concerts became a pop culture phenomenon | AP News

by News7

NEW YORK (AP) — As DJ Mannie Fresh’s trademark “ladies and gentlemen” catchphrase ricocheted throughout the office, a giddy Juvenile, draped in white with his signature bandana, playfully swayed back and forth to the beat of his musicians. It wasn’t surprising that the native of New Orleans — a city known for brass bands and live music — felt at home for his Tiny Desk Concert. What is remarkable? Just weeks prior, the legendary rapper had been unaware of the popular, stripped-down, live music series.

An April social media suggestion that he perform for the National Public Radio series — amplified by his “Wtf is a tiny desk” reply – sent social media into a frenzy. Details were ironed out within days, resulting in one of 2023’s most notable live performances just two months later.

“I don’t know if there’s a Tiny Desk award or something like that — maybe I would be the one to get it,” laughed Juvenile, referencing the excitement around his performance that’s drawn nearly 7 million views. “I’ve been getting so much love,” said the 48-year-old “Back That Azz Up” artist.

NPR’s Tiny Desk Concert series, which began almost 15 years ago as a niche online platform mainly highlighting rock and folk musicians, has established itself as one of music’s premiere platforms. It now includes performers from across genres, providing countless pop culture moments.

Becky G motions to the crowd while performing during a taping for NPR’s Tiny Desk concert series Aug. 30, 2023, in Washington. (AP Photo/Stephanie Scarbrough)

Becky G says her October appearance was a defining moment.

“It was such a milestone …some people want to forget certain things in their life so badly,” said the 26-year-old Latina star, who ended her predominately Spanish-language set with “Shower,” a song released nearly a decade ago. “Maybe we’re supposed to remember them, to remember how far we’ve come.”

That sentiment can be applied to the Tiny Desk Concert series itself, which began after its creators attended a performance where an artist was not heard.

THE GENESISFolk artist Laura Gibson felt deflated after her 2008 South by Southwest show in Austin, Texas. The Thirsty Nickel bar allowed noisy 6th Street revelers who didn’t purchase tickets to enter, and they had no interest in listening to the soft-spoken artist.

“Mid-set, I was like, ’Why did I drive all the way down to Texas … What am I doing with my life?” Gibson remembered. “I felt like ‘I really just want to go hide somewhere and cry.’”

Bob Boilen, director of NPR’s flagship program “All Things Considered,” and NPR Music editor Stephen Thompson were in attendance. Wanting to provide Gibson with an environment they felt she deserved, they invited her to play at their Washington, D.C., headquarters. Her performance was filmed and uploaded to NPR’s website.

Source : Associated Press

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