Often promoted by politicians wishing to put a little flesh on a “Franco-Chinese friendship” which they are very difficult to define, cultural relations between the two countries are not limited to the major exhibitions regularly organized on both sides. ‘other. The third issue of the Chinese magazine Leap, released on October 10, proves it. Leap is published in Hong Kong. Its first delivery, bilingual, dates back to 2015 (“The floating communities”), the second to 2016 (“At the top, the Word”), and the third (“Inhabiting the flow”) had to wait eight years before finding the bookstore path. A long interruption officially due to Covid-19, but which undoubtedly also explains a certain distance and the difficulty in finding advertisers to finance a volume of three hundred richly illustrated pages. The 60 years of diplomatic relations between Paris and Beijing celebrated this year have fortunately made it possible to revive the dynamic. Also read the story | Article reserved for our subscribers Between France and China, sixty years of tumultuous and unbalanced diplomatic relations Add to your selections Certainly, the China of 2024 is no longer that of 2015. We no longer imagine in this type of journals submitted to the censorship of a major text on the artist Ai Weiwei or an investigation devoted to the influence of the queer scene on Chinese culture, as was the case in 2015. See certain Chinese authors explicitly mention the Cultural Revolution while others prefer cautiously speaking of “a time of intense turbulence” says a lot about the current climate in Beijing. Classicism and audacity Nevertheless, this third issue is very rich. We owe it to two French-speaking Chinese women: Cao Dan and He Jing. The first, director of the publication, is an essential figure in the Chinese artistic press. The second, editor-in-chief, has a doctorate in philosophy. After studying at the Sorbonne, He Jing taught Merleau-Ponty’s thought to students at Tsinghua University in Beijing. A background that allows him to question other Chinese intellectuals, who also passed through French universities, on the influence that Foucault, Sartre, Lacan, Deleuze and Derrida continue to have – or not – in China, but also to conduct interviews with disciples of Bruno Latour on the search for an “Aesthetics of the Anthropocene”, and to confront them with Chinese thought which has long questioned the links between man and nature. Also read (2022) | Article reserved for our subscribers Bruno Latour, thinker of the “new climate regime”, is dead Add to your selections In addition to these high-level exchanges, the magazine knows how to be more accessible by questioning young Chinese living in France about their dual identity, or by addressing more general public themes, such as the influence of the French New Wave on Chinese filmmakers, or the “filmic expeditions” between France and China. We even read a tribute – deserved, but daring – to Simon Leys, the first Westerner to denounce the Cultural Revolution and who is not exactly in the odor of holiness in Beijing. In short, an invigorating read for all those interested in the Franco-Chinese relationship. You have 1.71% of this article left to read. The rest is reserved for subscribers.
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