“Squid Game”, a season 2 much more accusatory than ironic

Choi Seung-hyun plays the role of Thanos in the second season of the South Korean series “Squid Game”. NO JU-HAN/NETFLIX After pouring hectoliters of syrup into the cloud by offering all possible variations of the Christmas film – from romantic comedy to animated film – Netflix is ​​offering a powerful purgative this day after the holiday. What better way to convey the taste of chocolate than a bloodbath? With a sense of reality that the fictitious organizers of the Squid Game (the “squid game”, a sort of hopscotch in South Korea) would surely appreciate, the platform broadcasts, barely digested, the second season of the series Korean which, three years ago, took the world by surprise, becoming the biggest success in the history of Netflix. Also listen to “Squid Game”: the reasons for a global success You don’t need to go very far in these seven episodes to see the obvious: a radical, but spectacular and playful, critique of the society of spectacle and the game must, by the very fact of its success, surrender to the economic laws of the spectacle and the game. The first season of Squid Game may have ended on a sort of cliffhanger (suspense effect), it appeared as a fake appendage to a perfectly completed story, an afterword whose sole reason for existence was to allow the exploitation of a possible success of the series. Netflix, which is accountable to its shareholders, could not pass up the opportunity. You have 75.02% of this article left to read. The rest is reserved for subscribers.



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